Alexander Marsh has truly created a labor of (billet) love and given us all a sometime funny,
always thought-provoking analysis of billet work. The title "Master Class" is well earned as Alex
(aided by Lewis LeVal) covers over FIVE HOURS of moves, routines, structured choreography and easy
to understand analysis (no long-winded theory) on the topic. Most importantly, the class is well
organized, easy to navigate, and digestible in small (5-10 minute) bites, so you can avoid overload.
As a retired professor, I can say that the class is truly within the range of any level performer,
although an absolute newbie should probably tackle some of the books on the subject first before
diving in. Not essential, but some advance knowledge would speed the learning process. Overall, well
done, Alex!