I smiled when I read Oberon's little ebook because even though I'd seen and used the two techniques
that he uses here before, in more-or-less close-up or "micro" form, this was the first time I'd seen
them applied in "macro" form to stage mentalism. They are time tested and work great, and he gives
you some nice subtleties. For stage, you need this. The routines are workers. (And if you like one
of the principles, check out Paul Carnazzo's The Test Book-Book Test where you will be astounded
with the number of close-up possibilities.)