I've been a admirer of Master Payne's performing style for over 20 years. He is an absolute wizard with words (pun intended)
Payne's lecture notes are hilarious! I found my self laughing out loud over and over!
He explains over a dozen tricks in his notes, but more importantly he lays out his reason for presentation in detail for each trick. Some of the tricks are masterpieces in presentation. I wish more lecture notes were written like this!

One of the best sets of lecture notes we have seen in years is Master Payne's SOMETIMES THE JOKES ARE JUST FOR ME. The title has nothing to do with the substance of the notes - it is just an example of Payne's quirky wit. We have seen Payne perform twice. He is a fine, fine performer and very funny. He usually performs in character. He might be a Renaissance jongleur or a wizard or a mad scientist. These notes give several examples of how Payne adapted standard tricks to fit his character and shows photos of the props as he refigured and redecorated them to fit his theme. In addition he gives the complete patter for several of his routines, most of them in character. It is a fun, fun read. Even the footnotes (over 100 of them) are fun to read. But, best of all, for anyone looking to branch out into character magic, or as Payne refers to it, "Thematic Thaumaturgy," this is an informative and inspiring primer.
There is more than a little wisdom in these pages - good advice on performing, Like Dayton's, Payne's thoughts are reminiscent of Fitzkee, but a lot more fun to read than Fitzkee's and, because of that, I think more meaningful. Stuck in the middle of the book (it should be referred to as a book and not "mere" notes) are 20 pages of sound thought Payne calls, typically, "Totally Worthless." This is the most worthwhile part of the book! Essentially this is his formula for developing entertaining routines that will make sense to the audience, and thereby fool them (which is the essence of Fitzkee's third book Magic by Misdirection), WHO are you? WHAT are you doing? WHY are you doing it? WHERE will you be doing it? WHEN will you be doing it? HOW will you accomplish all of the preceding? As Payne says, the single most important question you need to ask yourself when you set out to develop a trick or a routine is WHY ARE YOU DOING IT? This, he says, taught him that props must have a reason to exist. He demonstrates this by explaining the WWWWW&H of his multiplying bottles routine and his version of Martin Lewis's "Technicolor Prediction" trick. You will also like what he does with the "Television Card Frame." And his “Da Vinci Code" routine is worth the price of the book by itself!
The first 60 pages give a great blend of theory and magic. Every Oracle subscriber should read them. The final 30 pages provide you with seven more tricks to do. As he says, "No themes, no stories, just straightforward tricks.” Some of them even using cards. These include a card stab, a mentalism effect using pizza, of all things, and his award winning "Tap Dancing Handkerchief” routine. In the latter one a spectator is asked to play a flute while a second spectator attempts to catch a silk as It "flies around the room.” However, the handkerchief vanishes and appears in the magician's other hand This is tried again. The handkerchief vanishes again with the same result. The spectators switch responsibilities. The handkerchief vanishes still again, but appears inside the flute. Alas, we don't have Payne's great patter which really made the effect a winner. Guess we'll have to come up with our own (Gaspl)

David Goosell