Rarely is there a true, easy to do, mind blower that fills time and is spectator centric. This is a
mind blower. It is impossible for the spec to figure out. You can't do it with drunks, but in
settings where you ahve intelligent spectators (the smarter and more educated the better for this
one) this is a reputation maker. It is an adaptation of an old trick. One with cards I used to do
years ago. Seeing this demo I didn't link the two. Matt has a great presentation and this feels so
fair to the audience. For the Magi there is nothing difficult to learn to do. No gaffs and no prep
needed. That said the secret is dastardly and you'll fool yourself. I think Matt missed an
important thing, however, which I'm adding here for those of you who get the trick. The WOW factor
lies (for me) in having the spectators exchange coins WITHOUT THE MAGICIAN SEEING WHICH ARE BEIGN
EXCHANGED! Don't let spec 1 hand 4 of his coins to spec 2 openly. Make a HUGE deal about having
spec 1 roll the die, then taking that number and NOT SHOWING THE MAGI WHICH COINS ARE BEING GIVEN TO
SPEC 2 give those to Spec two. Each transfer should be hidden form the magi. the final reveal
recap is that You could have no way to influence the outcome as you never knew WHICH coins were
being given from 1 to 2 or from 2 to 1. They just rolled die and secretly moved coins. So how
could you control the outcome if you didn't know is quarters or dines or pennies were being
moved???? So much stronger this way. Hope this helps!
Thanks for the kind words, Jonathan, and also for your presentational suggestion! I personally like to convey the fact that I can't see which coins are being exchanged by just acting very nonchalant and not paying much attention to what the spectators are doing. But you could emphasize this even more by actively turning your head away if you wish. You're right that I didn't emphasize this aspect of the trick in the explanation, and probably I should have. So thanks for pointing it out. (In the performance videos I was probably paying closer attention than I normally do, just because it's nerve-wracking to do stuff with cameras rolling!)