First, the mustache is wonderful. Now that we have that out of the way(!), the effect has been well
thought-out, works easily, plays well, requires very little for repeat performances and set-up. I
would have given it 6 out of 5 stars(!), except for the fact that the full performance details an
entire portion of the effect that Marsh refuses to teach. Not that it has anything to do with the
effect itself (so its almost a second effect/method built-in to the presentation). But if you like
billet work then this will get you a reputation as a real mind-reader!