This starts off Volume 6 of the book, including some tricks invented after the correspondence course
was finished. The tricks in this lesson are gimmicky and not in common use. Some of them involve
unnatural movements that I think even laypeople will find odd. They are still designed for the
stage, so if you want audio deception, you'll have to add in your own methods. Some are more "food
for thought" in their unusual methods rather than good tricks.
My favorite was the Stop-Go
trick, and Dan gives very detailed advice on it.