Robert Watkins' brand of mentalism combines traditional techniques with modern subtlety to make for
a very unique experience for both the audience and performer, alike. I particularly enjoyed Jhana a
lot because the material looks and feels propless in performance, but that's only because Watkins
structures each routine to make the necessary items and moves absolutely invisible. Each effect is
so powerful and versatile, it's easy to cater the routines to one's own individual character and
leave a memorable impression upon an audience. This is a really practical blend of methodology;
fans of Annemann and Corinda and/or Fraser Parker and Peter Turner will find significant value in
this book. Highly recommended.